This study addresses the morphological and semantic analysis of the augmented verbs in the form (af'ala) from Nazik al-Malaika's poetry collection. It was limited to the first part of the collection, due to its abundance of augmented verbs and the diversity of their forms, making it a fertile field for morphological and semantic analysis. This part also represents an early and important stage in the poet's career, where the features of her language and early intellectual experiments clearly emerge, and where her renewal of both form and content is highlighted. Furthermore, limiting the study to this scope achieves precision and depth in the research and avoids the distraction that might arise from attempting to survey the entire collection within the confines of this study. This research followed the "descriptive-analytical-applied approach," first examining the morphological meanings of the form (af'ala) as they appear in grammar and morphology books, with the aim of identifying its theoretical origins and defining its conceptual boundaries. These meanings were then applied to selected texts from the first part of Nazik Al-Malaika's Diwan, through analyzing the poetic verses in which augmented verbs appeared, with reference to the verb under study and its semantic meaning in its poetic context. To achieve precision in determining the meanings, authentic linguistic dictionaries were used, such as Kitab Al-Ayn by Al-Khalil ibn Ahmad Al-Farahidi (d. 170 AH), Tahdhib Al-Lughah by Abu Mansur Al-Azhari (d. 370 AH), Maqayis Al-Lughah by Ibn Faris (d. 395 AH), Lisan Al-Arab by Ibn Manzur (d. 711 AH), and others, in addition to major books on grammar and morphology. Thus, the research sought to link the theoretical and practical aspects to reveal the aesthetic and semantic dimensions of the form (af'ala) in Nazik Al-Malaika's poetry. The study revealed the diverse connotations of the form (af'ala) in Nazik Al-Malaika's poetry, in terms of transitivity, insinuation, becoming, tenderness (entitlement), exaggeration, the subject's presence in the place or time of the verb, sufficiency, and other meanings. This reflects the poet's awareness of the semantic functions of morphological forms in poetic expression.